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WRITING ACROSS LANDSCAPE

Lawrence Ferlinghetti

This long-awaited volume provides a panoramic portrait of art and life across the twentieth century, from Mexico to Morocco, Paris to Rome, and beyond: The travel journals of poet Lawrence Ferlinghetti, at 94 one of the last living links to the Beat generation.
Million-copy selling poet Lawrence Ferlinghetti describes this book himself as follows: I see this book in the tradition of D.H. Lawrence’s travels in Italy or Goethe’s Italian journeys. ...It is as if much of my life were a continuation of my youthful wanderjahr, my walk-about in the world. I wrote these peripatetic pages for myself, never thinking to publish them. I never reread them until Giada Diano and Matt Gleeson brought me photocopies of the original notebooks that had been slumbering away in the Bancroft Library, U.C. Berkeley. Seeing myself years later through the wrong end of the telescope, a wandering figure in momentous times. ... I was part of that “Greatest Generation” (so-dubbed by a newsman) that came of age at the beginning of the Second World War. ... As I worked in San Francisco and travelled, days and years fell away into the great maw of time. ... The war ends, decades whir by, there is a rumble in the wings, the scene darkens, and Camelot lost! America went through a sea-change after that. San Francisco, which had been a small provincial capital, grew up. So did I, and I started voyaging. I was usually traveling to some literary or political event or tracking down some author for an undiscovered masterpiece to publish at City Lights Books. Europe of course was a “going back,” finding roots. Since my earliest days in France with my French Aunt Emilie, I had always thought of France as my second home. When my ship was able to dock in Cherbourg after the Normandy invasion, I felt like kissing the ground. Three years later as a student at the Sorbonne in Paris, I still felt that way. I came late to my father’s Italy, first as a student of Italian, la bella lingua, and later to track down my father’s birthplace. So much came from that! I didn’t keep journals consistently, so that some literary capers went unrecorded, as when I visited Paul Bowles in Tangier to pry from him his Moroccan tales in A Hundred Camels in the Courtyard. This was agreed to, and then we sat dully in his high-rise apartment near the American Embassy. And when Jane Bowles suggested we turn-on, Paul said he didn’t have any hash. I was clean-shaven in a white suit, and I imagine he thought I was a narc. Paranoia, the doper’s constant companion! What else can I say about these interior monologues, except that some may pass as newsstories filed by a reporter from Outer Space, to cover the strange doings of these “humans” down here, sent by a Managing Editor with a low tolerance for bullshit. Born in Bronxville, New York, in 1919, Lawrence Ferlinghetti is an American poet, painter, liberal activist, and the cofounder of San Francisco’s hallowed City Lights Booksellers & Publishers. He lives in San Francisco. Giada Diano is Lawrence Ferlinghetti's translator and biographer in Italy. Her biography is published by Feltrinelli (Milan). Matthew Gleeson is a writer and editor who has spent over a decade with City Lights Booksellers & Publishers.
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Published 2015-09-01 by Liveright

Comments

Italian: Il Saggaitore

This wide-flung embrace of a collection of travel diaries and new poems will amuse, astonish, disturb, and restore its readers with its deliciously detailed and unsparing compassion. Ferlinghetti is perhaps the last truly brave writer at work in the U.S. today.

T]his fresh treasure of a book reveals one of the most vivid, soulful, evocative and richly cultured travelers of our time. Here are accounts of Morocco and Mexico?of Los Angeles and the outlines of Heaven and Hell?as wide-awake and invigorating at those of a D.H. Lawrence. Here, too, are some of the sources of the rigorous, original poetry that has already sustained so many generations.”

If you happened not to be in the back seat when Neal Cassady was bombing across the country on two-lane blacktop, and you missed catching a ride on Kesey’s swirling bus, don’t worry…. To turn these pages is to look over Ferlinghetti’s should as he composes his journals and to be in on the sound of his distinctive, rhythmic, low-slung voice.

[T]ravel writing at its best, filled with sympathetic and enlightening portraits of people and countries whose reality frequently contrasts with depictions of them in the popular press…. Illustrated with many of his hand-drawn sketches, these journals illuminate the inspirations for some of Ferlinghetti’s best poems and are a major addition to his literary legacy.

Writing Across the Landscape shows Ferlinghetti to be a man of the world, literally. It also underscores the expansive and multifold reach of poetry and the lives of poets as not just artists but emissaries…. A vast, impressionistic canvas of place and mood?real and imagined. The writing is playful, luminous and trenchant. Lynell George

Courageously beautiful, high-spirited and sensual, Ferlingetti's private journals read like an unfurling open letter to the reader. One can hear his distinctive voice, our American poet and wanderer, as beloved as the land itself.

Lawrence Ferlinghetti is one of the legendary spirits of the Beat Generation, but his writings span the decades and now they span the globe. These sketches of some sixty years’ travels, composed on the run, are Ferlinghetti’s song of the open road, with all the immediacy and tenderness of his beloved landmark poems.