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Vendor
Liepman Literary Agency
Marc Koralnik
Original language
English

THESE BODIES OF WATER

Sabrina Mahfouz

Notes on the British Empire, the Middle East and Where We Meet

'Sabrina Mahfouz is a tidal wave of truth swallowing the banks of empire with a torrent of information which will not be damned. These Bodies of Water is so vast, yet achingly intimate' Lemn Sissay

Are you not made of Suez silt?
How do we know you won't
shore our boats
by making yourself bigger
than we made you?
Sabrina Mahfouz once sat in a Whitehall interview room and was interrogated about everything from her political leanings to her private life. It was ostensibly a job interview, but implicit in their demands was the unspoken question: as a woman of Middle Eastern heritage, could she really be trusted?

Years later, Sabrina found herself confronting the meaning behind this interrogation, and how it was specifically informed by the British Empire's historical dominance in the Middle East. THESE BODIES OF WATER investigates this history through the Middle Eastern coastlines and waterways that were so vital to the Empire's hold. Interwoven with her own personal experiences, Sabrina combines history, politics, myth and poetry in a devastating examination of this unacknowledged part of Britain's colonial past.

Part history, part polemic and part intimate memoir, THESE BODIES OF WATER is a tapestry of writing that tells the story of Britain's relationship with the Middle East in the most revealing terms.

Sabrina Mahfouz is a writer and performer, raised in London and Cairo and working across multiple art forms. Her poetry collection, How You Might Know Me, was a 2017 Guardian Best Summer Read and she is an essay contributor to the multi-award-winning The Good Immigrant. Her previous theatre work includes A History of Water in the Middle East, Chef and Dry Ice. Sabrina has edited the anthologies Smashing It, Poems From a Green and Blue Planet and The Things I Would Tell You. She regularly presents documentaries and literary programmes on BBC Radio 4.
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Published 2022-05-01 by Headline