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Sebastian Ritscher

THE VIOLIN

David Schoenbaum

A Social History of the World’s Most Versatile Instrument

This is the magisterial account of the life, times, and travels of a remarkable instrument and the people who have made, sold, played, and cherished it.
Nothing matched the violin for universal and varied expression, Jean-Jacques Rousseau declared in 1768. Affordable, portable, and equally adaptable to Bach, Beethoven, jazz, klezmer, reels, ragas, gypsy fiddlers, and indie rock, as David Schoenbaum notes in this original study, it is still unmatched as an icon of globalization. First spotted in the mid-sixteenth century, it had become the instrument of kings and courts by the mid-seventeenth and the instrument of choice for some of the world’s greatest music by the mid-eighteenth. By the late twentieth century, Jewish boys and Asian girls had made it an instrument of social mobility; the Cold War had made it an instrument of soft power; and artists, writers, and Hollywood had made it into art, novels, and movies. Today, Asian foundations compete with post-Soviet billionaires for Italian specimens with brand names that Coca-Cola might envy at dollar prices in eight figures, and contest winners come from almost everywhere. David Schoenbaum, a lifelong amateur violinist, has written for the New York Times, the Washington Post, and The Economist. His books include Hitler’s Social Revolution and The United States and the State of Israel.
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Published 2012-12-01 by W.W. Norton & Company, Inc. - New York (USA)

Comments

Still, there’s so much engaging lore that the violin’s legions of fans will find it an absorbing browse. Read more...

…a terrific read—one of those rare epical surveys that can be read in a single long stretch or picked up and savored, chapter by chapter…Schoenbaum deftly melds history, criticism, legend and occasional snatches of good gossip into a book that will be necessary reading for anybody who plays (or tries to play) the violin, and it ought to appeal to anybody simply in search of some engrossing and exhaustive nonfiction.

His detailed social history also outlines how the violin spread with the forces of globalization, becoming, by the end of the twentieth century, “as global as Coca-Cola.” “No previous box,” he writes, “had shown itself to be so comprehensively adaptable and desirable to so many people in so many ways, while appealing to virtually every sensory organ but the tongue.” Read more...

Jean-Jacques Rousseau said that no instrument matched the violin for universality and expressiveness, and given its use in everything from chamber music to klezmer to indie rock, he could well be right. A detailed history from a committed amateur violinist.

A long and richly textured love letter to an instrument, a tradition and an art. Read more...