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THE SMACK

Richard Lange

The acclaimed author of Dead Boys and This Wicked World tells the story of Petty and Tinafey—a conman and a hooker—as they set out on an ill-conceived mission to recover an obscene amount of cash.

Rowan Petty is a conman down on his luck. He's flat broke, living out of cheap hotels, and wondering how it all went wrong. His car quits on him in Reno, and he takes a job there on the bottom rung of a lousy phone scam. When he's not swindling lonely widows, he tries to turn nickels into dimes at the poker table. One snowy night, he crosses paths with a sweet-talking hooker who's tired of the streets, and sparks fly.

When an old friend of his turns up spreading a rumor about two million dollars in army money smuggled out of Afghanistan and stashed in an apartment in Los Angeles, it seems like a chance at the score of a lifetime. So Petty and the hooker head south, and straight into trouble. A wounded vet, a washed-up actor, and Petty's estranged daughter are all players in the dangerous game they find themselves caught up in. For the winner: a fortune. For the loser: a bullet to the head.

Propulsive, suspenseful, and written with a searing lyricism, The Smack shows once again that "Lange is a writer firing on all cylinders who belongs in the top tier of novelists working today" (Omaha World-Herald).

Richard Lange is the author of the story collections Dead Boys and Sweet Nothing and the novels This Wicked World and Angel Baby. He is the recipient of a Guggenheim Fellowship, the International Association of Crime Writers' Hammett Prize, and the Rosenthal Family Foundation Award from the American Academy of Arts and Letters. He lives in Los Angeles.

Available products
Book Published 2017-07-18 by Mulholland Books / Little Brown
Book Published 2017-07-18 by Mulholland Books / Little Brown

Comments

The Smack, by Richard Lange, is yet another diamond found by the haystack sifters at Mulholland Books.

A rare combination of realism and inventiveness... adds up to make The Smack Lange's most accomplished novel to date.

The Smack is much more than a crime novel. It is a novel about life itself. The secret to great writing isn't just to observe. It's to create a world that readers understand at least as well as they do their own. Richard Lange has accomplished this, and more. His sensitivity and pacing are reminiscent of Raymond Carver, Charles Willeford, and Jim Thompson.

The Smack just might be Mr. Lange's best yet, and that's saying something. His Los Angeles tableau of concrete and graffiti and neon is as sharp as razor wire. The characters are authentic down to the bone, the dialogue pitch-perfect believable, the desperation palpable, the situation urgent, the story riveting. Simply put,The Smack wallops you upside the head with its bad-ass-ness.

If Elmore Leonard and Dennis Cooper collaborated on a novel, they might produce something as exciting, harrowing and emotionally powerful as The Smack.Call it a literary thriller or call it thrilling literature--Richard Lange is emerging as the master of a new kind of novel: One that delivers breathless, gripping action while anchored in the authentic troubles of the real world.The Smack arrives like a genuine miracle--that rare thriller that will jack your pulse even as it breaks your heart.

The Smack is refreshingly realistic L.A. noir... Lange is an expert writer, his prose exact, his narrative tightly controlled.

Gritty, poignant . . . Lange is a master at writing about characters on the margins of society and humanizing outcasts and misfits, and he manages to capture the surreal culture of Los Angeles in all its contradictory glory.

[A] riveting, violent caper.

Like his protagonist, Dashiell Hammett Award winner Lange (Angel Baby) knows how to reel in his audience with a seductive story and plenty of misdirection. There’s nothing criminal, however, about this rollicking, diamond-cut thriller shot through with elegance and heart

With all the dexterity of Thomas Perry, Lange walks the thin line between caper novel and blood-splattered noir, leading up to a rip-roaring finale. This fine piece of tragicomic crime fiction sets up like a stand-alone, but we'd sure like to see more.

It's hard to imagine Richard Lange wasn't, in some previous life, a hustler from Reno with a girlfriend named Tinafey he met on a professional date who goes to LA to steal a fortune from a one-legged soldier home from Afghanistan and a host of other terrifying individuals. The characters are real and satisfying, the relationships will warm your heart and break it at the same time.The Smack is convincing, hectic and terrific fun.

Lange is a writer of clean and easy prose, and he's strong at structuring a narrative that builds toward an ever tightening climax. The Smack adds up to one of the nicer surprises of the season.

This wonderfully written caper novel, so dark and in some parts so depressing, was almost too much for me at first. Author Richard Lange sucks you in and won't let you out at a minimum baseline.

Even inanimate objects come to life in Lange's world.... The book is most fun, though, when it focuses on Petty's clever ruses to separate the rubes from their life's savings.

Richard Lange's THE SMACK is currently in pre-production for a major motion picture starring Oscar winners Alan Arkin, Kathy Bates, Teyana Taylor, Casey Affleck, and Marisa Tomei. David M. Rosenthal, who directed thrillers THE PERFECT GUY and the remake of JACOB'S LADDER, will direct. Rosenthal and Keith Kjarval wrote the script. Kjarval, who runs the prolific indie banner Unified Pictures, is also producing along with Sam Rockwell, Play Hooky's Mark Berger (OF MICE AND MEN) and Sugar Rush Pictures' Andrea Bucko (TIN SOLDIER). Read more...

Richard Lange is lyrical and astute. The Smack's characters live and breathe in this thriller-all the way to its blood-pumping finale.