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THE KILLING POOL

Kevin Sampson

Detective Chief Inspector Billy McCartney discovers a headless corpse in the scrubland close to Liverpool docks. The slaying carries all the hallmarks of a gangland hit - a message from the underworld to snitches, cops and rival gangs.
One mile away, a girl staggers into a run-down bar, dazed and confused. The bar’s owner, a career criminal called Shakespeare, cannot get a word out of her. DCI McCartney is all too well aware that the clock is ticking. The body was one Kalan Rozaki, youngest brother of a notorious crime family – except Kalan is no criminal. For almost a year his brothers have been under full-time Drug Squad surveillance as McCartney slowly closed the net on their heroin trafficking. McCartney’s chief informant on the case is someone with insider knowledge of the Rozaki clan’s operation...their newly deceased baby brother, Kalan. McCartney’s investigation into Kalan’s murder peels back layer after layer of a decades-long dynasty of drug smuggling. Each revelation plunges McCartney back into the dark heart of an unsolved drug crime that weighs heavy on his soul. He wants to catch the Rozakis – badly – but he wants the shadowy men behind their drug empire even more. The closer McCartney gets to Kalan’s killer, the closer he comes to facing down a lifetime’s torment. Kevin Sampson is the author of eight novels - Awaydays, Powder, Leisure, Outlaws, Clubland, Freshers, Stars Are Stars and The Killing Pool – and a work of non-fiction, Extra Time. He lives and works in Liverpool. OUTLAWS was adapted as the film "The Crew" in 2008, and his novels AWAYDAYS and POWDER were adapted to film in 2009 and 2011. He writes regularly for The Guardian, The Observer and The Independent, and has had a lifelong fascination with crime fiction and cinema.
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Published 2013-03-22 by Cape

Comments

With its sparsity of prose and pitch perfect characterisation, Sampson has established a great foundation for further titles in this series, which I’ve read will take McCartney far and wide in his pursuance of the drug cartels. It’s violent and earthy, and by no means a comfortable read with its uncompromising plot and dialogue, reflecting the deprivation and bleakness of its inner city locale. It packs a punch which I’m more than happy to endure- oh- and did I mention the killer ending? Marvellous. Read more...