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THE GOOD BOY

Theresa Schwegel

Edgar Award-winner Theresa Schwegel returns with her most dramatic and emotional novel to date, a family epic that combines the hard-boiled grit of her acclaimed police thrillers with an intimate portrait of a young boy trying to follow his heart in an often heartless city.
For Officer Pete Murphy, K9 duty is as much a punishment as a promotion. When a shaky arrest reignites a recent scandal and triggers a mul-timillion-dollar lawsuit, all eyes are on Pete as the department braces for another media firestorm. Meanwhile, Pete's eleven-year-old son Joel feels invisible. His parents hardly notice him—unless they're arguing about his “behavioral problems”—and his older sister, McKenna, has lately disappeared into the strange and frightening world of teenagerdom. About the only friend Joel has left is Butchie, his father's furry “partner.” When Joel and Butchie follow McKenna to a neighborhood bully’s party, illegal activity kicks the dog's police training into overdrive, and soon the duo are on the run, navigating the streets of Chicago as they try to stay one step ahead of the bad guys—bad guys who may have a very personal interest in getting some payback on Officer Pete Murphy. Theresa Schwegel is the author of Officer Down, her debut which was published by St. Martin’s Minotaur and went on to win the 2005 Edgar Allan Poe Award for Best First Novel. She is the author of five ac-claimed novels, all of which take place in Chicago. Her books have been published in England, Japan, France, Italy, and the Netherlands.
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Published 2013-11-01 by Minotaur Books

Comments

Theresa Schwegel returns with another powerhouse of a crime novel, and it is her finest work to date. THE GOOD BOY is a vivid, nuanced, and emotional tale told in prose that crackles with electricity. The characters are real, their world is our own, and their stories the kind that linger long after the last page is turned. At once a thriller and a beautifully rendered family story, it simply won't disappoint.

“The Good Boy” is a terrific piece of crime writing—propulsive action paired with the authentic sounds of a city on the make. Theresa Schwegel’s ear for dialogue is pitch-perfect—from the station house to the streets, from cops to robbers to teens, Schwegel serves up fully-realized characters who pop off the page. An essential read.”

Quickly escalates into a high-stakes story of risk and suspicion, told with rich, insightful detail.