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Marc Koralnik
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THE EDGE BECOMES THE CENTRE.

DW Gibson

An Oral History of Gentrification in the Twenty-First Century

In the plainspoken, casually authoritative tradition of Jane Jacobs and Studs Terkel, THE EDGE BECOMES THE CENTRE is an inviting and essential portrait of the way we live now.
If you live in a city—and every year, more and more Americans do—you've seen firsthand how gentrification has transformed our surroundings. Gentrification has so altered the way cities look, feel, cost, and even smell to such an extent that it's hard to imagine that it could ever have been otherwise. Over the last few years, journalists, policymakers, critics, and historians have all tried to explain just what it is that happens when new money and new residents flow in, yet we've had very little access to the human side of this phenomenon.

THE EDGE BECOMES THE CENTRE captures the stories of the many kinds of people—brokers, buyers, sellers, renters, landlords, artists, contractors, politicians and everyone in between—who are being shaped by—and are shaping—the new New York City. In this extraordinary oral history, DW Gibson takes gentrification out of the op-ed columns and the textbooks and brings it to life. Gibson explains—in the voices of the people living through it—what urban change really looks and feels like.

DW Gibson is the author of Not Working: People Talk About Losing a Job and Finding Their Way in Today's Changing Economy. His work has appeared in publications such as The New York Times, The New York Observer, The Daily Beast, BOMB, and The Caravan. Gibson serves as director of Writers Omi at Ledig House in Ghent, New York, which is part of the Omi International Arts Center. He is also the co-founder and co-director of Sangam House, a writers' residency in India. He lives with his wife and daughter in New York City.
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Published 2015-05-01 by Overlook

Comments

“A noisy, tender tour of New York . . . Mr. Gibson lets the city speak for itself, and it speaks with charm, swagger, and heartening resilience.”

“Wrenching . . . Wide-ranging . . . This book is so important.”

“[An] impressive and multifaceted oral history. . . Gibson manages to capture a global city in flux, in grave danger of losing its diversity—and hence all that makes it special—with its focus on capital investment over the needs of its people.”

“Sociology about current urban life, with the edgy, pungent flavor of the Big Apple.”

“ . . . it's a joy to read, its chorus of voices a reminder of oral history's power. Anyone who cares about the shape and gestalt of life in New York—and anyone who believes in cities as centers of culture—will come away moved."”