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Fritz Agency
Christian Dittus
Original language
English

THE DEAD LADIES PROJECT

Jessa Crispin

Exiles, Expats, and Ex-Countries

When Jessa Crispin was thirty, she burned her settled Chicago life to the ground and took off for Berlin with a pair of suitcases and no plan beyond leaving. Half a decade later, she's still on the road, in search not so much of a home as of understanding, a way of being in the world that demands neither constant struggle nor complete surrender.

The Dead Ladies Project is an account of that journey—but it's also much, much more. Fascinated by exile, Crispin travels an itinerary of key locations in its literary map, of places that have drawn writers who needed to break free from their origins and start afresh. As she reflects on William James struggling through despair in Berlin, Nora Barnacle dependant on and dependable for James Joyce in Trieste, Maud Gonne fomenting revolution and fostering myth in Dublin, or Igor Stravinsky starting over from nothing in Switzerland, Crispin interweaves biography, incisive literary analysis, and personal experience into a rich meditation on the complicated interactions of place, personality, and society that can make escape and reinvention such an attractive, even intoxicating proposition.

Jessa Crispin is the founder and editor of Bookslut.com, a literary blog and webzine that has been featured in the Chicago Tribune, Time, and The Economist's More Intelligent Life. She is a regular columnist for the online cultural journal The Smart Set and has a weekly interview series at Kirkus Reviews. Before that, she worked as a book critic for NPR and a contributor for PBS's Need to Know. Her writing has appeared in The Washington Post, The Chicago Sun-Times, The Guardian, and The Toronto Globe and Mail.
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Published 2015-09-01 by University of Chicago Press

Comments

Mordant wit and a dash of bravado. . . . An eloquently thought-provoking memoir.

Unusual and absorbing. . . . Swift intelligence, fierce empathy, and dark humor.

A book of vigorous struggle and lucid confusion. It's also very, very funny. . . . The whole book is packed with delightfully offbeat prose. . . . And it's all over the place in terms of subject matter: sex, politics, history, philosophy, existential dread, gender dictates, difficult travel logistics, etc. . . . But that's exactly what it needs to be: a rambling polymorphous beast, as raw as it is sophisticated, as quirky as it is intense.

Is it possible for a memoir to be at once introspective and yet fully embedded in the context of the world around it? The Dead Ladies Project seems to suggest that it is--or at least, that Bookslut founder Jessa Crispin is capable of making us believe it is. . . . Imbued with a deadpan sense of humor, The Dead Ladies Project tackles some of the weightiest subjects possible--suicide, death, infidelity, fulfillment--in a way that is always heartfelt but never heavy. The result is somewhat astounding: a philosophical musing on what it is to live one's best life, even if--or perhaps especially when—that best life fits no mold of conventionality or tradition.