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STARTING OVER

Elizabeth Spencer

Stories

One of the masters of American short fiction—author of The Light in the Piazza—returns with a new collection of stories.
Upon the release of her first novel, Fire in the Morning, in 1948, Elizabeth Spencer was immediately championed by Robert Penn Warren and Eudora Welty, setting off a remarkable career as one of the great literary voices of the American South. The range of her career, which began in the first half of the twentieth century, is nothing short of remarkable, including nine novels, five short-story collections, a memoir, and the acclaimed Broadway adaptation of her classic novella, The Light in the Piazza, in 2005, which attracted yet a new generation of readers.

After a hiatus of more than a decade, Spencer returns with these nine new stories—all written after the death of her beloved husband—and to many of the themes that have defined her work, particularly the deep emotional fault lines and unseen fractures that lie just beneath the veneer of normal family life. The characters in Starting Over, whether balancing family with a visit from a rarely seen relative or starting a new job following a divorce, often find themselves dealing with the shifting of familiar terrain that once seemed so steady. They have suddenly reached a rupture in their lives—often caught between memories of the past and an unsettled present—and find themselves having to start all over again.

But more than memory, it is the subtle divisions and re-formations in the ever shifting landscape of contemporary family relations that Spencer excels at portraying, in stories like “Sightings” where a troubled daughter suddenly returns to the home of the father she accidentally blinded during her parents’ bitter separation; in “Blackie,” where a divorcee’s assured place in her second marriage and family is traumatically upended when her only son from her first marriage comes to live with her, causing a harrowing confrontation with her stepchildren and father-in-law; and in “The Wedding Visitor,” where a cousin travels home only to find himself entwined in the events leading up to a family wedding. In these stories and six others that are collected in Starting Over, Spencer reveals the flawed fabric of human relations and affirms her stature as one of the outstanding living writers of the American South.

Elizabeth Spencer is the author of nine novels, five collections of short stories, a memoir, and a play. She is a five-time winner of the O. Henry Award for short fiction and a member of the American Academy of Arts and Letters. She lives in North Carolina.
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Book

Published 2014-01-01 by Liveright/Norton

Book

Published 2014-01-01 by Liveright/Norton

Comments

Spencer has a special gift for the nuances in “ordinary” human relationships; she creates suspense via anticipation more than through interactions themselves…. Spencer’s strength lies in highlighting human truths in captured moments.

There seems to be nothing this extraordinary writer can’t do…Spencer recounts the details and doings of her characters in such spare, unfussy, almost conversational prose that she sounds at first like nothing so much as a shrewd family storyteller…Spencer’s great gift is her ability to take ordinariness and turn it inside out, to find focus in a muddle…Dazzling…‘On the Hill’ might have been written by Hawthorne or Cheever—a work of genius, in other words…Elizabeth Spencer seems to have spent her life watching, observing, always paying close attention, and for her it’s the whole truth or nothing. As far as I can tell, she never missed a thing. Judging from the stories in her latest collection, she’s not about to start now.

I say, at the top of my lungs, that I think Elizabeth Spencer is a national treasure, and the stories in this book are as good as any stories anywhere by anybody. I don’t think I could find the hyperbole to express the feeling I have for these stories. Oh, my, what a writer she is!

The collection shows the control and ease of a master; each story has superb qualities of artistry and social relevance.

Spencer is a spellbinding storyteller. Her stories . . . are dense and rich as novels, as light as air; they hover in the mind like hummingbirds.

Ms. Spencer is a rare and true master. And as with all masterful stories, they make me talk to myself in wholly new ways about life.

Spencer’s elegant stories are more about what doesn’t happen than what does…. Quiet and spare prose ferries tiny but explosive clues which point to powerful insights lurking between the lines…. In Spencer’s world, the emotional debt ceiling is always on the rise.

Spencer’s first work of fiction, a novel titled Fire in the Morning, was published in 1948, and, as affirmed by her new collection of short fiction, these many years have not dulled the sharpness of her prose nor inched her into out-of-date perceptions of the world. Grand dame of southern letters that Spencer is, she remains a vital, passionate, contemporary-issues writer. [These stories] show the control and ease of a master; each story has superb qualities of artistry and social relevance.

Now in her 10th decade, Elizabeth Spencer breaks all the old rules if she has to about how to tell a story, shifting points of view, inserting flashbacks in the middle of a fragile tale about the present in order to get at a necessary and beautifully revealed truth about the past. It's relation to the present. And as she puts it, the whole flawed fabric of human relations. Read more...

Spencer [is] an elegant and subtle writer.…Like Chekhov, the moments of most acute misery – those achingly common things that nearly kill us all – are offstage.…There are nine stories here, all wonderful, subtle and complex - which makes the cumulative effect all the more alarming. Read more...