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SERENADE

Toni Bentley

A Balanchine Story

A ballerina tells the story of George Balanchine's iconic masterpiece, Serenade, and what it is like to be one the young women who danced it, lived it, during his lifetime.
At age seventeen, Toni Bentley was chosen by Balanchine, then in his final years, to join the New York City Ballet. From backstage and onstage, she carries us through both the serendipitous history and physical intricacies and demands of Serenade - its dazzling opening, with seventeen women in a double-diamond pattern; its radical, even jazzy, use of the highly refined language that is ballet; its place in the choreographer's own dramatic story of emigration to the U.S. from Bolshevik Russia; its profound influence on the art form internationally. Bentley takes us inside the rarefied, intense and thrilling world Balanchine created through his lifelong devotion to celebrating and expanding female beauty and strengtha world that, inevitably, passed upon his death. An intimate elegy to grace and loss and the imprint of a towering artist and his transcendent creation on her life, Serenade: A Balanchine Story is a rich narrative by a woman artist about the nature of art itself at its most fleeting, dynamic, and glorious. TONI BENTLEY danced with George Balanchine's New York City Ballet for ten years. She is the author of five books, all named "Notable" by the New York Times, which include Winter Season: A Dancer's Journal, Holding On to the Air (the autobiography of Suzanne Farrell, co-authored with Farrell), Costumes by Karinska, Sisters of Salome, and The Surrender: An Erotic Memoir. Bentley is the recipient of a Guggenheim fellowship, and her work has appeared in Best American Essays, as well as in many periodicals, among them the New York Times Book Review, Wall Street Journal, The New Republic, Playboy, The Daily Beast, Vogue, and Vanity Fair.
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Published 2022-04-12 by Pantheon

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A unique document about one of the greatest ballets ever created. Propulsive and rich in substance... Balanchine's image emerges powerfully, in wonderful detail... Personal, authentic, and revealing about what it took to be one of his dancers. A beautiful read.

Taking its title from that of George Balanchine's first American ballet, which premièred in 1934, this personal history by a former New York City Ballet dancer blends various accounts of the work's - and the company's - creation and evolution. In addition to providing a wealth of ballet lore, trivia, and insightful interpretation, Bentley is not afraid to get technical; she describes steps, combinations, entrances, and exits from the perspective of the corps. In endeavoring to conjure the transcendent lyricism of Balanchine's vision and Tchaikovsky's score, the book goes further, touching on deeper, stranger ideas about the symbiosis between life and art. Read more...