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	Mohrbooks Literary Agency Sebastian Ritscher

RHAPSODY IN SCHMALTZ

Michael Wex

Yiddish Food and Why We Can't Stop Eating It

Rhapsody in Schmaltz is a journey into the sociology, humor, history, and traditions of food and Judaism.

Bagels, deli sandwiches and gefilte fish are only a few of the Jewish foods to have crossed into American culture and onto American plates. Rhapsody in Schmaltz traces the history and social impact of the cuisine that Yiddish-speaking Jews from Central and Eastern Europe brought to the U.S. and that their American descendants developed and refined. The book looks at how and where these dishes came to be, how they varied from region to region, the role they played in Jewish culture in Europe, and the role that they play in Jewish and more general American culture and foodways today. Rhapsody in Schmaltz traces the pathways of Jewish food from the Bible and Talmud, to Eastern Europe, to its popular landing pads in North America today. With an eye for detail and a healthy dose of humor, Michael Wex also examines how these impact modern culture, from temple to television. He looks at Diane Keaton's pastrami sandwich in Annie Hall, Andy Kaufman's stint as Latke on Taxi and Larry David's Passover seder on Curb Your Enthusiasm, shedding light on how Jewish food permeates our modern imaginations. MICHAEL WEX was born in Lethbridge, Alberta and later moved to Toronto. Wex is the author of three other works of non-fiction, Born to Kvetch, Just Say Nu, and How to Be a Mensch (and Not a Shmuck), and three works of fiction: The Adventures of Micah Mushmelon, Boy Talmudist; The Frumkiss Family Business; and Shlepping the Exile. He is also well known as a speaker on matters relating to Yiddish language and culture and more general aspects of Judaism. He lives in Toronto with his wife and daughter.

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Book Published 2016-04-12 by St. Martin's Press

Comments

Mouth-watering and eye-opening in equal measure – Rhapsody in Schmaltz is essential reading for anyone who has shmeared a bagel, trifled with trayf, or hunted the Afikomen.

Only Michael Wex could unravel the delectable mysteries of Ashkenazi cuisine with the precision of a Talmudic commentator and the wit of a Jon Stewart. Here are all the usual suspects--from kasha and knishes to kugels--but their explication comes by way of Chaucer and Ray Charles, Petronius, Pynchon, and Homer Simpson. A savory must-read for all food and language mavens, who will discover the true Yiddish vegetables, not to mention, the subtle erotic sirensong of a challah.

Wex proves once again in Schmaltz that he is Yiddish culture's equivalent of his titular fat; a salve, a balm, the heart, soul, and very tam of the edible delicacies and their origins that he chronicles here. Not since the Rascal House menu was last printed has there been a finer assembly of words on Jewish food upon the page.

Chicken, Kishke, Cholent and Matzoh have dominated the Yiddish menu and kept it in virtual bondage for hundreds of years. Rhapsody in Shmaltz tells the true story behind these fetishized dishes and gives us what Yiddish, no stranger to pain, calls Essen Emes.

A rare combination of erudition and wit – an irreverent romp through the highs and lows of Yiddish food by a yeshiva boy gone rogue.

An enticing tour of Judaism's culinary past. Wex (How to Be a Mentsh (and Not a Shmuck), 2009, etc.) brings lighthearted humor and his considerable expertise on Jewish culture to a wide-ranging look at Jewish food, from biblical dietary restrictions to New York bagels. An informative, merrily entertaining culinary and cultural history.

Only Wex can write an insightful, witty read on the history of Jewish food and its ingredients. According to Leviticus ‘all the fat is the Lord's.’ Lately I think my butcher has been giving me too much of God's share.

I'm typing this blurb with a hot glass of tea and a pletzel to the right of me, so I need to make this quick. Wex has given us a learned examination of the religious whys and wherefores of the food found in North American Polish-Jewish homes (like mine and his) through the 1960s. There are not a few wise cracks mixed in, like onions in kreplach, with all the scholarship. Wex more or less does for kugel what Knausgaard has done for lutefisk.

Most Jews have a lot (sometimes too much) to say about Jewish food. But few say it with Michael Wex's mix of insider's wisdom, great appetite, and even greater humor. Rhapsody in Schmaltz is a masterful work, one I'll turn to over and over for both historical reference and a hearty chuckle.