Vendor
	Mohrbooks Literary Agency Sebastian Ritscher
Original language
English

READING STYLE

Jenny Davidson

A Life in Sentences

A professor, critic, and insatiable reader, Jenny Davidson investigates the passions that drive us to fall in love with certain sentences over others and the larger implications of our relationship with writing style.

At once playful and serious, immersive and analytic, her book shows how style elicits particular kinds of moral judgments and subjective preferences that turn reading into a highly personal and political act.

Melding her experiences as reader and critic, Davidson opens new vistas onto works by Jane Austen, Henry James, Marcel Proust, and Thomas Pynchon; adds richer dimension to critiques of W. G. Sebald, Alan Hollinghurst, Thomas Bernhard, and Karl OveKnausgaard; and allows for a sophisticated appreciation of popular fictions by Stephen King, Neil Gaiman, Lionel Shriver, George Pelecanos, and Helen DeWitt. She privileges diction, syntax, point of view, and structure over plot and character, identifying the intimate mechanics that draw us in to literature's sensual frameworks and move us to feel, identify, and relate. Davidson concludes with a reading list of her favorite titles so others can share in her literary adventures and get to know better the imprint of her own reading style.

Jenny Davidson teaches in the Department of English and Comparative Literature at Columbia University. She has published two books on eighteenth-century British literature, including Breeding: A Partial History of the Eighteenth Century, and four novels. She blogs at Light Reading (jennydavidson.blogspot.com).

Available products
Book Published by Columbia University Press
Book Published by Columbia University Press

Comments

There is much to value here.

Charming and erudite.

Jenny Davidson has the rare gift of being warmly analytical -- highly intelligent but never mandarin, authoritative and intimate at the same time. Reading her discussions of writers ranging from Marcel Proust to Wayne Koestenbaum -- by way of Jonathan Lethem and George Eliot -- is like being in the company of a very clever friend as she unfolds the treasures of her bookshelf: one who enlightens without condescension, and who is eager to share the pleasures of a well-turned sentence while also being able to point out the satisfactions to be found in a bad one. I loved being in her company on the page, and left it inspired by her appetitive example.

This book offers a lively, unusual, and highly intelligent set of comments on the pleasures of reading -- which are, in Davidson's view, not quite the joys or benefits of close reading in the received academic sense but are definitely those of reading closely, paying precise attention to details of style, and reflecting on the mixture of meaning and delight such details give to anyone who cares about them.

Davidson is the ideal reader every writer wishes for, who catches every nuance and every sly allusion, who is alive to rhythm and color and orchestration. She does not just read for that ostensibly load-bearing stuff that is labeled 'meaning,' but detects all of the layers of meaning that are conveyed purely by style. Her book is a gift and a deep pleasure, because what makes her such a virtuoso reader is that she is also a first-rate writer.

Consistently insightful into classic (and sometimes not so classic) fiction.