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Marc Koralnik
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NOTHING EVER DIES

Viet Thanh Nguyen

Vietnam and the Memory of War

All wars are fought twice, the first time on the battlefield, the second time in memory. From the author of the Pulitzer Prize–winning novel The Sympathizer comes a searching exploration of the conflict Americans call the Vietnam War and Vietnamese call the American War—a conflict that lives on in the collective memory of both nations.

From a kaleidoscope of cultural forms—novels, memoirs, cemeteries, monuments, films, photography, museum exhibits, video games, souvenirs, and more—Nothing Ever Dies brings a comprehensive vision of the war into sharp focus. At stake are ethical questions about how the war should be remembered by participants that include not only Americans and Vietnamese but also Laotians, Cambodians, South Koreans, and Southeast Asian Americans. Too often, memorials valorize the experience of one's own people above all else, honoring their sacrifices while demonizing the “enemy”—or, most often, ignoring combatants and civilians on the other side altogether. Visiting sites across the United States, Southeast Asia, and Korea, Viet Thanh Nguyen provides penetrating interpretations of the way memories of the war help to enable future wars or struggle to prevent them.

Drawing from this war, Nguyen offers a lesson for all wars by calling on us to recognize not only our shared humanity but our ever-present inhumanity. This is the only path to reconciliation with our foes, and with ourselves. Without reconciliation, war's truth will be impossible to remember, and war's trauma impossible to forget.

Viet Thanh Nguyen is Aerol Arnold Chair of English and Associate Professor of English and American Studies and Ethnicity at the University of Southern California. His novel The Sympathizer won the 2016 Pulitzer Prize for Fiction.
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Published 2016-04-01 by Harvard University Press

Comments

“[An] eloquent narrative of the Vietnam War's psychological impact on combatants and civilians This is primarily a work that comes to grips with memory and identity through the arts Nguyen succeeds in delivering a potent critique of the war and revealing what the memories of living have meant for the identities of the next generation.”

“[Nguyen] produces close readings of the novels, films, monuments, and prisons that form ‘the identity of war' in Vietnam, ‘a face with carefully drawn features, familiar at a glance to the nation's people.' Nguyen draws insights from Levinas, Ricoeur, and other philosophers, and his approach has affinities with that of hybridists such as W. G. Sebald and Maggie Nelson. The book is also notable for its inclusivity, addressing Cambodian, Laotian, Hmong, and Korean experiences and the competition for narrative dominance in bookstores and box offices.”

Longlist Non-Fiction 2016 Read more...

“Nguyen's work is a powerful reflection on how we choose to remember and forget.”