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Vendor
Liepman Literary Agency
Marc Koralnik
Original language
English

MAMASKATCH

Darrel McLeod

A Cree Coming of Age

A powerful story of resilience.
Growing up in the tiny village of Smith, Alberta, Darrel was surrounded by his Cree family's history. In shifting and unpredictable stories, his mother, Bertha, shared narratives of their culture, their family, and the cruelty that she and her sisters endured in residential school. McLeod was comforted by her presence and that of his many siblings and cousins, the smells of moose stew and wild peppermint tea, and his deep love of the landscape. Bertha taught him to be fiercely proud of his heritage and to listen to the birds that would return to watch over and guide him at key junctures of his life.

However, in a spiral of events, Darrel's mother turned wild and unstable, and their home life became chaotic. Sweet and innocent by nature, Darrel struggled to maintain his grades and pursue an interest in music while changing homes many times, witnessing violence, caring for his younger siblings and suffering abuse at the hands of his surrogate father. Meanwhile, his sibling's gender transition provoked Darrel to deeply question his own sexual identity.

Beautifully written, honest and thought-provoking, Mamaskatch – named for the Cree word used as a response to dreams shared – is ultimately an uplifting account of overcoming personal and societal obstacles. In spite of the traumas of Darrel's childhood, deep and mysterious forces handed down by his mother helped him survive and thrive: her love and strength stayed with him to build the foundation of what would come to be a very fulfilling and adventurous life.

Darrel J. McLeod is Cree from Treaty 8 territory in Northern Alberta. Before deciding to pursue writing, he was a chief negotiator of land claims for the federal government in Canada and executive director of education and international affairs with the Assembly of First Nations. He holds degrees in French literature and education from the University of British Columbia. He lives in Sooke, BC, and his second memoir PEYAKOW is forthcoming in Fall 2019.
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Book

Published 2018-09-15 by Douglas & McIntyre

Comments

Audible

Groupe Ville-Marie Litterature Inc.

" In his debut, the winner of the 2018 Governor General's Literary Award for Nonfiction, McLeod recounts his childhood and coming-of-age in Treaty Eight Cree territory in Northern Alberta. Told predominantly in English, with a smattering of French and infused with important moments of untranslated Cree language, the fragmented and seemingly dissonant episodic chapters contain elements that are present in many Native/First Nations memoirs: alcohol, drugs, domestic violence, abuse, racism, religious intolerance, and poverty. However, these details don't exist to pleasure the white gaze or to satisfy any saviour complex. These aspects, delineated in the segmented narratives, reflect candid truths and the brokenness that occurs in a life surrounded by settler colonialism and fueled by historical trauma. They also serve as an acknowledgment, which is the first step to healing. Whether retelling his mother's stories, such as her escape from residential school, or recounting the grooming and abuse he experienced from his brother-in-law, his search for intimacy, or his desire for reconnection to Cree tradition, the author ably conveys all of the devastating guilt, shame, remorse, and emptiness that he has experienced. Still, it's clear that McLeod isn't "looking for pity." As the title of the opening chapter, "Spirals," suggests—and just as his mother did in her own "magical way"—the author shares his stories in a spiral, revisiting "each theme several times over, providing a bit more information with each pass," until it "wash[es] away the heaviness." Readers able to "just sit back and listen without interrupting" (a lesson young Darrel learned from hearing his mother's stories) will share in the secret knowledge that coming-of-age has little to do with losing one's innocence and everything to do with maintaining one's hope. Lyrically written and linked by family, compassion, forgiveness, and hope, Mamaskatch sings out as a modern-day celebration of healing."

“Mamaskatch is a profound and tender love song, an elegy to a wounded family, and an unsparing, exquisitely moving chronicle of growing up “Nehiyaw” (Cree). Like the birdsong his mother taught him to understand, McLeod's voice is magical; it will lift and carry you through bone-breaking grief with grit, optimism and wry, life-saving humour. You will not leave this book unchanged.”

“The figures McLeod writes about in Mamaskatch shimmer in the best kind of way, from McLeod's beleaguered older sister, Debbie, to his brother, Greg, who eventually transitions into a woman named Trina. This marks the beginning of McLeod's own inquiry into his sexuality and place in the world. Mamaskatch embodies the recognition of the way stories can help to pull one through the darkest moments. Which is, truly, the best kind of myth-making.”

Milkweed