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Mohrbooks Literary Agency
Sebastian Ritscher
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English
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FORTY ROOMS

Olga Grushin

FORTY ROOMS is the literary journey of an extremely imaginative female protagonist from childhood in Moscow to love and seemingly happy marriage in America. What follows are the decades of births and deaths, the celebrations and material accumulations—until one day, her children grown and gone, her husband absent, she finds herself alone, except for the ghosts of her youth.
The much-loved child of a late marriage, our protagonist is nearing five when FORTY ROOMS opens. Her parents are Moscow intelligentsia, and their apartment rings with the voices of their friends as they argue about poetry and life late into the night.

The child understands only bits of this. For her, these people are gods and mermaids, myths and fairy tales. We follow this child as she reaches adolescence, leaves home for America, discovers sexual happiness and love. But her hunger for adventure and her longing to be a great poet conspire to kill the affair. She seems to have made her choice.

But one day, she runs into a college classmate. He is sure of his aims, protective of her, and, as an added inducement, a great cook—they drift into love and marriage. What follows are the decades of births and deaths, the celebrations and material accumulations—until one day, her children grown and gone, her husband absent, she finds herself alone, except for the ghosts of her youth.

Compelling and complex, FORTY ROOMS is also deeply affecting, its ending shattering but true.

Olga Grushin was born in Moscow in 1971 and became a US citizen in 2002. Her first novel, The Dream Life of Sukhanov, earned her a place on Granta’s list of Best Young American Novelists and the New York Public Library’s Young Lions Award and was a finalist for both The Los Angeles Times’ Best First Novel and the Orange Prize. Both it and her second novel, The Line, earned international accolades and made many best-of-the-year lists. (See the attached selection of praise.)
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Book

Published 2016-02-01 by Marian Wood Books/Putnam

Book

Published 2016-02-01 by Marian Wood Books/Putnam

Comments

Forty Rooms is a deft, engaging novel written with rare eloquence. But a ferociously uncompromising morality play lurks within it.

English is Grushin’s third language. Yet so accomplished are her skills--so hauntingly assured--that more than one critic has greeted her as the next great American novelist....To write a novel as good as this you need to be very talented. And Grushin is.

Turkish: Altin Kitaplar ; Chinese (simplified): Citic

FORTY ROOMS GETS GLOWING FULL PAGE REVIEW FROM ALEXANDRA FULLER IN THE NEW YORK TIMES BOOK REVIEW (2/14 issue): The structure of Olga Grushin's FORTY ROOMS is ingeniously simple...there is enough material to warrant hours of contemplation...The reader's impulse to grapple with the text, to wrestle it down and to raise objections or to attempt to identify her own place in the context of the story, is a sign not of weakness, but of Grushin's genius. There is no redemption story to relax into here, and no easy answers...This novel reminds us that to pursue her dreams, a woman is working against the establishment, not with it. To the young women into whose hands I will most certainly be putting Grushin's novel, I will say this: You can do it all, but together we can create a world in which we might be able to do more. Because if we don't keep working for greater gender equality, it's not in the best interests of the current power brokers to stop us from continuing to spend more than a fair share of our lives elbow-deep in soapsuds whether we choose to or not.

10 Books EVERYONE In Your Whole Book Club Will Like... Hopefully Read more...

New York Magazine’s Vulture entertainment site dubbed it one of “8 Books You Need to Read This February.” Read more...

Olga Grushin examines a woman's search for identity in this breathtaking tale.

This book - her third - represents a look at a midlife failure by a standout among those young narrative writers who fled the former Soviet Union, then rode their creative gifts to heights on the American literary scene...Grushin, at 44, fits the American narrative of the extraordinary immigrant, one whose drive has combined with her innate abilities to lift her to triumph.... It's a sentiment worthy of Virginia Woolf's Mrs. Dalloway, at her most secure.... Still, at her best, Grushin beautifully renders a riddle of our time - do we have to be famous? - leading a critic to ask the reverse. What if happiness lies in the banal - love; work; a few spare principles to guide us - and in being able to let (as it often will, anyway) the train of remarkability pass us by?

Best books for 2016! Read more...

Grushin's honesty about the dilemmas of artistic life shines through the predictability of her character, drawing the story toward an unexpectedly moving end.

Sly and devastating. Full of original and quoted poems, this heartbreaking novel is an invitation to contemplate whether the richness and ambition of one's life has to correspond to the proportions of one's landscape.

Honest, tender, and exquisitely crafted. A novel to savor.