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Mohrbooks Literary Agency
Sebastian Ritscher
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English
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FLORA

Gail Godwin

FLORA, about a summer of love and discovery as the Second World War is coming to a close, offers a haunting picture of a lost time in America.
Ten-year-old Helen and her summer guardian, Flora, are isolated together in Helen’s decaying family house while her father is doing secret war work in Oak Ridge during the final months of World War II. At three Helen lost her mother and the beloved grandmother who raised her has just died. A fiercely imaginative child, Helen is desperate to keep her house intact with all its ghosts and stories. Flora, her late mother’s twenty-two-year old first cousin, who cries at the drop of a hat, is ardently determined to do her best for Helen. Their relationship and its fallout, played against a backdrop of a lost America will haunt Helen for the rest of her life. This darkly beautiful novel about a child and a caretaker in isolation evokes shades of The Turn of the Screw and also harks back to Godwin’s memorable novel of growing up, The Finishing School. With its house on top of a mountain and a child who may be a bomb that will one day go off, Flora tells a story of love, regret, and the things we can’t undo. It will stay with readers long after the last page is turned.

Gail Godwin is a three-time National Book Award finalist and the bestselling author of twelve critically acclaimed novels, including A Mother and Two Daughters, The Good Husband, Father Melancholy’s Daughter, and Evensong. She is also the author of The Making of a Writer: Journals, 1961--1963, the first of two volumes, edited by Rob Neufeld. She has received a Guggenheim Fellowship, National Endowment for the Arts grants for both fiction and libretto writing, and the Award in Literature from the American Academy of Arts and Letters. She lives in Woodstock, New York. Visit her website at www.gailgodwin.com.
Available products
Book

Published 2013-05-01 by Bloomsbury

Book

Published 2013-05-01 by Bloomsbury

Comments

There are echoes of Atonement in this magnificent tale of childhood jealously which sets in motion a tragedy that haunts 10-year-old Helen all her life.

With more than a dozen critically acclaimed novels to her name [Godwin] has been a unique voice in American literature for 40 years . . . . Dive into [Flora’s] deep waters and witness a novelist at the peak of her powers swimming against the current of today’s fiction.

The Washington Post included FLORA (on-sale 5/7/13) by Gail Godwin on their Notable Fiction of 2013 list (November 24) Read more...

Godwin is repelled by the saccharine psychology of our age. In her finest books, including the three that have been finalists for the National Book Award, we confront spiritual matters in unusually hard terms.... [The narrator’s] recollection of that tragic summer, turned over and over in her mind for years, is something between a search for understanding and a mournful confession. But finally it’s a testament to the power of storytelling to bring solace when none other is possible.

I’ve long thought of Gail Godwin as a present-day George Eliot — our keenest observer of lifelong, tragically unwitting decisions. Flora is also a novel as word-perfect and taut as an Alice Munro short story; like Munro, Godwin has flawlessly depicted the kind of fatalistic situation we can encounter in our youth — one that utterly robs us of our childhood and steers the course for our adult lives. This is a luminously written, heartbreaking book.