Vendor
	Liepman Literary Agency Marc Koralnik
Original language
English

EVERYTHING IS CINEMA

Richard Brody

A landmark biography that explores the crucial resonances among the life, work, and times of one of the most influential filmmakers of our age

When Jean-Luc Godard wed the ideals of filmmaking to the realities of autobiography and current events, he changed the nature of cinema. Unlike any earlier films, Godard's work shifts fluidly from fiction to documentary, from criticism to art. The man himself also projects shifting imagescultural hero, fierce loner, shrewd businessman. Hailed by filmmakers as aif not thekey influence on cinema, Godard has entered the modern canon, a figure as mysterious as he is indispensable.

In Everything Is Cinema, critic Richard Brody has amassed hundreds of interviews to demystify the elusive director and his work. Paying as much attention to Godard's technical inventions as to the political forces of the postwar world, Brody traces an arc from the director's early critical writing, through his popular success with "Breathless," to the grand vision of his later years. He vividly depicts Godard's wealthy conservative family, his fluid politics, and his tumultuous dealings with women and fellow New Wave filmmakers.

Everything Is Cinema confirms Godard's greatness and shows decisively that his films have left their mark on screens everywhere.

Richard Brody, a film critic and editor at The New Yorker, is also an independent filmmaker who lives in New York City. Everything Is Cinema is his first book.

The book was licensed to Faber in the UK, and there are lapsed translation licenses with Jilin Publishing Group in China and Presses de la Cite in France.

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Book Published by Metropolitan, May 2008

Comments

Everything Is Cinema is better than a biography, it is a novel. And a great novel, in which one discovers the story of a man who almost picked the wrong art form, a struggling writer who became an immense filmmaker.

Godard changed the movies as much as the American masters he grew up on: Welles, Hawks, Hitchcock, and the rest. He is as original as Picasso--but unlike Picasso, he has been denied the biography he has always deserved. This is it. Just at the moment when the New Wave turns fifty, Richard Brody has given us Everything is Cinema, a remarkable book which describes with sharp intelligence a great and elusive artist's times, intellect, passions, and work.

Full of lucid analysis and human context, Richard Brody's book performs a heroic act in rescuing Godard and his growing shelf of works from the prison of myth and theory, from the cult of youth and the cult of the '60s, restoring him to his place as an engaged, hard-working artist.

Richard Brody's biography of Godard--arguably the most important, enigmatic, and exciting filmmaker of the second half of the 20th century--effortlessly weaves intellectual history, a personal saga, and an authoritative reading of the films themselves into a seamless web. It virtually crackles with intelligence, and is a must read for anyone interested in cinema.