EVERY BOY SHOULD HAVE A MAN

A riveting, poignant satire of social ills, with an added dose of fantasy, EVERY BOY SHOULD HAVE A MAN takes place in a post-human world where creatures called oafs keep humanlike “mans” as beloved pets.

One day, a poor boy oaf brings home a man whom he hides under his bed in the hopes his parents won’t find out. When the man is discovered, the boy admits it is not his—but the boy is no delinquent. Despite the accusations being hurled at him, he’s telling the truth when he says he found the man aimlessly wandering in the bramble. Nevertheless, he must return the man to his rightful owner. But when the heartbroken boy comes home from school one afternoon, he finds wrapped up in red ribbon a female man with a note around her neck: Every boy should have a man. You’re a fine son. Love, Dad. Thus begins EVERY BOY SHOULD HAVE A MAN, Preston L. Allen’s picaresque journey into uncharted territory in earth, sky, and firmament. With echoes of Margaret Atwood and Jack and the Beanstalk, Jonathan Swift’s Gulliver’s Travels and Octavia Butler’s Kindred, it traces the story of the boy and his three “mans,” Brown Skin who is not his, the tragic Red Sleeves who has no voice, and her quick-witted daughter Red Locks whose epic journey takes her from the backbreaking drudgery of the mines to the perils of the battlefield to the savagery of cannibalism.

Oafs and mans each gain insight and understanding into one another’s worlds, and the worlds that touch theirs—ultimately showing that oafs and mans alike share a common “humanity.” Filled with surprising twists and turns, the novel is in part a morality tale that takes on many of today’s issues including poverty, the environment, sexism, racism, war, and religion, all in lighthearted King James prose.

Preston Allen is a recipient of a State of Florida Individual Artist Fellowship and a winner of the Sonja H. Stone Prize in Fiction for his collection of stories Churchboys and Other Sinners. His work has appeared in various literary anthologies and journals including Las Vegas Noir, Miami Noir, Seattle Review, 1111, Drum Voices, and Black Renaissance Noire. His novels All or Nothing and Jesus Boy have received rave reviews from O, the Oprah Magazine, Library Journal, Feminist Review, and the New York Times. He teaches writing in South Florida.