CELUI DONT LE NOM N'EST PLUS

The tale is packed with breath-taking suspense, larger-than-life characters and a completely unexpected plot twist at the end. Halfway between the works of Stephen King and Michael Connelly, on the borderline between love and death, this thriller will leave its mark on you.

Dawn breaks over London. On a kitchen table lies a man's body – minus its internal organs. The murderer is an old lady of impeccable standing. How could she have come to kill the man she brought up as her own son? It makes no sense – and yet everything points to her as being guilty. Two days later, the same thing happens again: a man is killed in similar fashion by the person who loves him more than anyone else in the world. And so it goes on, with a new victim every twenty-four hours. All the murders are linked by a common thread: distraught suspects and epitaphs in letters of blood: “May this sacrifice bring peace to the soul of He whose Name is no more”. Amid these inexplicable murders, three destinies become interwoven. McKenna is an Irishman: a policeman, the father of four boys, widowed a year ago and still grief-stricken. Dahlia Rhymes is an American criminologist who specialises in ritual and satanic murders, assigned to figure out what makes killers tick. Nils Blake is a semi-retired barrister who is willing to return to court to defend these unlikely perpetrators. Three destinies – and three lives irreversibly changed. Born with the storytelling urge, René Manzor originally pursued his passion in cinema. His first two films caught the attention of Hollywood. After working as a scriptwriter and director on major US productions (The Adventures of Young Indiana Jones: Demons of Deception) as well as for French TV, his first novel, Les Âmes rivales (‘Rival souls'), was published in 2012.