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Mohrbooks Literary Agency
Sebastian Ritscher |
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ALL THAT SHE CARRIED
The Journey of Ashley's Sack, A Black Family Keepsake
ALL THAT SHE CARRIED is the tale of a rough cotton bag now called Ashley's Sack, that now sits in the Smithsonian's National Museum of African American History and Culture in Washington, D.C.
Owned by three women whose lives might have been lost to history: Rose, a visionary, Ashley, a survivor, and Ruth, a storyteller, this story cloth captures the emotional texture of black women's lives during and after slavery, and reveals a sweeping family story of loss and love passed down through generations. Ordinary in their time among the roughly four million Americans caged by slavery, they are extraordinary in our time for their production of a rare object of memory and for their bold embrace of a "radical hope."
In 1850s South Carolina, just before nine-year-old Ashley was sold, her mother, Rose, gave her a sack filled with just a few things as a token of her love. Decades later, Ashley's granddaughter, Ruth, embroidered this history on the bag--including Rose's message that "It be filled with my Love always." Historian Tiya Miles carefully follows faint archival traces back to Charleston to find Rose in the kitchen where she may have packed the sack for Ashley. From Rose's last resourceful gift to her daughter, Miles then follows the paths their lives and the lives of so many like them took to write a unique, innovative history of the lived experience of slavery in the United States.
The contents of the sack--a tattered dress, handfuls of pecans, a braid of hair, "my Love always"--speak volumes and open up a window on Rose and Ashley's world. As she follows Ashley's journey, Miles metaphorically "unpacks" the sack, deepening its emotional resonance and revealing the meanings and significance of everything it contained. These include the story of enslaved labor's role in the cotton trade and apparel crafts and the rougher cotton "negro cloth" that was left for enslaved people to wear; the role of the pecan in nutrition, survival, and southern culture; the significance of hair to Black women and of locks of hair in the nineteenth century; and an exploration of Black mothers' love and the place of emotion in history.
This is the poignant story of love passed down through generations of women and a testament to the creativity and resourcefulness it takes to keep and to reveal the histories of people left out of the archives. The sack is more than an artifact. It is an archive of its own, a collection of disparate materials, at one time a container, a carrier, textile, art piece, memory device, and record of events.
Tiya Miles is professor of history and Radcliffe Alumnae Professor at the Radcliffe Institute for Advanced Study at Harvard University. She is a recipient of the MacArthur Foundation Fellowship Award and the Hiett Prize in the Humanities from the Dallas Institute of Humanities and Culture. Her book THE DAWN OF DETROIT received the Merle Curti Award in Social History, the James A. Rawley Prize in the History of Race Relations, the James Bradford Best Biography Prize, the Hurston/Wright Legacy Award in Nonfiction, an American Book Award, and a Frederick Douglass Book Prize. Additionally, Miles is the author of TIES THAT BIND; THE HOUSE ON DIAMOND HILL; THE CHEROKEE ROSE: A Novel of Gardens and Ghosts; and TALES FROM THE HAUNTED SOUTH, a published lecture series. In addition, Tiya is one of the contributing writers in Ibram X. Kendi & Keisha Blain's February 2021 One World hardcover entitled, 400 SOULS: A Community History of African Americans, 1619-2019.
In 1850s South Carolina, just before nine-year-old Ashley was sold, her mother, Rose, gave her a sack filled with just a few things as a token of her love. Decades later, Ashley's granddaughter, Ruth, embroidered this history on the bag--including Rose's message that "It be filled with my Love always." Historian Tiya Miles carefully follows faint archival traces back to Charleston to find Rose in the kitchen where she may have packed the sack for Ashley. From Rose's last resourceful gift to her daughter, Miles then follows the paths their lives and the lives of so many like them took to write a unique, innovative history of the lived experience of slavery in the United States.
The contents of the sack--a tattered dress, handfuls of pecans, a braid of hair, "my Love always"--speak volumes and open up a window on Rose and Ashley's world. As she follows Ashley's journey, Miles metaphorically "unpacks" the sack, deepening its emotional resonance and revealing the meanings and significance of everything it contained. These include the story of enslaved labor's role in the cotton trade and apparel crafts and the rougher cotton "negro cloth" that was left for enslaved people to wear; the role of the pecan in nutrition, survival, and southern culture; the significance of hair to Black women and of locks of hair in the nineteenth century; and an exploration of Black mothers' love and the place of emotion in history.
This is the poignant story of love passed down through generations of women and a testament to the creativity and resourcefulness it takes to keep and to reveal the histories of people left out of the archives. The sack is more than an artifact. It is an archive of its own, a collection of disparate materials, at one time a container, a carrier, textile, art piece, memory device, and record of events.
Tiya Miles is professor of history and Radcliffe Alumnae Professor at the Radcliffe Institute for Advanced Study at Harvard University. She is a recipient of the MacArthur Foundation Fellowship Award and the Hiett Prize in the Humanities from the Dallas Institute of Humanities and Culture. Her book THE DAWN OF DETROIT received the Merle Curti Award in Social History, the James A. Rawley Prize in the History of Race Relations, the James Bradford Best Biography Prize, the Hurston/Wright Legacy Award in Nonfiction, an American Book Award, and a Frederick Douglass Book Prize. Additionally, Miles is the author of TIES THAT BIND; THE HOUSE ON DIAMOND HILL; THE CHEROKEE ROSE: A Novel of Gardens and Ghosts; and TALES FROM THE HAUNTED SOUTH, a published lecture series. In addition, Tiya is one of the contributing writers in Ibram X. Kendi & Keisha Blain's February 2021 One World hardcover entitled, 400 SOULS: A Community History of African Americans, 1619-2019.
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Book
Published 2021-06-08 by Random House |