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ACQUA SPORCA

Nadeesha Uyangoda

Spanning continents and generations, this is a powerful novel about uprooted identities, legacies, and the clash between tradition and modernity, poverty and prestige. It is set in a country where survival means compromise and another one where myth and memory are a method to see reality.
After thirty years in Italy, Neela decides to return to Sri Lanka.

Her decision unsettles the fragile balance of her entire family across two continents and, especially, the delicate bond with her grown-up daughter Ayesha. Their relationship has always been strong and yet often lost in translation between the two different cultures and languages they grew up in.

Neela, after years working as a caregiver and domestic help in an Italian family in the hope of opening her own beauty salon, feels that she must return home to understand the person she has become. And perhaps she can finally banish the demon that haunts her.

Meanwhile, in Colombo, Neela's sister Himali is raising her adopted daughter as the embodiment of a lost dream, alongside her husband, a former communist militant, now an illegal immigrant in Europe.

Pavitra, the youngest of the Balasinghe sisters, has never recovered from the accident that crippled her at the dawn of her first love. She now dwells in an apartment lent by her sister, after a failed marriage. The exorcism once performed on her body to cast out her demons woke her devotion for divinity. Her daughter Hirunika is a disillusioned young woman, convinced she was born on the wrong side of the world. She cynically capitalizes on her body, dreaming of her cousin's life in Europe.

But in Milan, Ayesha is confronting her mother and above all the anxieties of a millennial adult, while struggling to build a career as a high-level photographer pressured by the international art scene to exploit the Sri-Lankan history and lore of her family to afford a place as BIPOC artist.

These constant efforts erupt in an uneasiness echoing her mother's, one that brings along anxiety, headaches, and depression as if it were a Western version of the Balasinghe family's illness.

Nadeesha Uyangoda was born in Sri Lanka. She is the author of L'unica persona nera nella stanza (66thand2nd, 2021), winner of Premio Sila and Premio Rapallo Special Prize "Anna Maria Ortese", and of Corpi che contano (66thand2nd, 2024). She created the podcast Sulla razza (Juventus/OnePodcast), has written for both national and international outlets, and is currently a columnist for Internazionale magazine.
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Published 2025-09-01 by Einaudi Stile Libero

Comments

A profound and imaginative book that sheds light on a dark corner of our society the exploitation of care work while also portraying new cultural stereotypes.

Dirty Water is a powerful story of migration and integration, of the longing for redemption and the journey back to one's rootstold through a moving, female-driven saga. [.] The novel explores themes of migration, uprooting, mental health, and integration with a gaze that is realistic and compassionate, yet never rhetorical. The literary prose is hybrid, clear, and poetic all at once.

It's a collective story more than a family one," Uyangoda explains. "I felt that a single migration story could be seen from different perspectives: from the point of view of those who stayed, of those who stayed but longed to leave, of those who left and want to return, and of those who were made to leave and have decided never to come back. Neela's movement sets off a chain of consequences." A story of departures, then but also of returns.

Uyangoda weaves together the story of her matrilineal family and shows the way forward for the new Italian novel.

I read Acqua sporca with great admiration and enthusiasm. Nadeesha Uyangoda brings new clarity and vitality to themes that are increasingly central in contemporary Italian fictionalienation, real and imagined families, and class dynamics offering a literary experience that is precise, fresh, fully contemporary, and deeply self-aware.

Set between Milan and Colombo, the story of four women suspended between modernity and ancient spirituality unfolds through a sharp, layered prose that opens a window onto the resentment, hardship, anger, and class tensions that trouble life in this world and the next.

Acqua sporca is a sweeping Italian family story set between Italy and Sri Lanka, written in rich literary prose, and marked by a razor-sharp sociological gazecompassionate, yet never indulgent. From the specificity of one migration story, Nadeesha Uyangoda conjures a much broader and more layered portrait of the contemporary world, tackling some of its most urgent civil, political, and identity questions.