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Vendor
Mohrbooks Literary Agency
Sebastian Ritscher
Original language
English

ACKER

Douglas A. Martin

A lyric essay written through Kathy Acker's evocative prose, public statements, and private archives.
Douglas A. Martin presents a lyric cover of the career of Kathy Acker, a late-20th-century poet, writer, and punk. Over the course of Acker's groundbreaking, eyebrow-raising career, she furthered the causes of feminism and sex positivity while skirting censorship and achieving countercultural acclaim. The self-mythologizing Acker was as notorious for her complicated sexuality and back tattoos as she was for novels such as Blood and Guts in High School. Deftly tracing Acker's interactions with a diverse palette of avant-gardisms, world letters, cultures, and theory, the book is part biography and part intellectual study of the literary development of her work. Martin follows Acker through New York's downtown St. Mark's Poetry Project scene, Black Mountain College, and the Beats, as Acker embarks on her own deconstructions of subjects autobiographical and historical, art procedurals, proto-conceptual writing, and society's most systemic ideas.

Douglas A. Martin is the author of books of poetry and prose, including: Once You Go Back, Your Body Figured, In The Time of Assignments, Branwell, and They Change the Subject. His first novel, Outline of My Lover, was selected by Colm Tóibín as an International Book of the Year in The Times Literary Supplement and adapted in part by the Forsythe Company for their multimedia ballet/live film, Kammer/Kammer. His work has been translated into three languages. He lives in Brooklyn, New York.
Available products
Book

Published 2017-10-24 by Nightboat Books

Book

Published 2017-10-24 by Nightboat Books

Comments

The subversively imaginative vanishing and reappearing act that Martin stages here between himself and Acker seems nothing short of a kind of strange magic... Martin's lyrical criticism blends unmistakable (yet unshowy) erudition and intellectual rigor with disarming intimacy and self-revelation.

This is a book worthy of its subject: singular, unpredictable, a mongrel that occupies that rare, evocative space between genres. Expressing truths that transcend the stolid facts of conventional biography and literary analysis, Douglas A Martin reveals how the act of writing is also, always, an act of self-authorship, of identity destruction and creation - and how Acker took this process to an extreme that still stuns, confounds, and inspires.

Douglas A. Martin's Acker is exactly the kind of literary criticism I want to read right now: an open-ended yet utterly thorough record of one deft, curious, intrepid mind beholding another. Personal when he needs to be and clinical when his investigation calls for it, Martin acts as the perfect counterpoint to Acker's all caps bombast