Publishers

Penguin Books
(2017-09-12)

Genres

Fiction
Poetry

Current material

Final Pages

More information

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MADNESS

Sam Sax

An “astounding” (Terrance Hayes) debut collection of poems – Winner of the 2016 National Poetry Series Competition

In this powerful debut collection, sam sax explores and explodes the linkages between desire, addiction, and the history of mental health. These brave, formally dexterous poems examine antiquated diagnoses and procedures from hysteria to lobotomy; offer meditations on risky sex; and take up the poet’s personal and family histories as mental health patients and practitioners. Ultimately, MADNESS attempts to build a queer lineage out of inherited language and cultural artifacts; these poems trouble the static categories of sanity, heterosexuality, masculinity, normality, and health. sax’s innovative collection embodies the strange and disjunctive workings of the mind as it grapples to make sense of the world around it.

sam sax is a queer Jewish writer and educator. He's received fellowships from the National Endowment for the Arts, Lambda Literary, The MacDowell Colony, the Blue Mountain Center, and the Michener Center for Writers. He's the winner of the 2016 Iowa Review Award and his poems have appeared in The American Poetry Review, Gulf Coast, Ploughshares, Poetry, and other journals.

Available Rights

Language Territory Type Agency Client
German World Book Ronit Zafran
Mohrbooks AG
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Comments

4. August 2017, review
[A] beautifully concentrated howl of a book, a startling debut . . . coolly crafted . . . [sax is] refreshingly frank as he speaks out to us. A terrific first collection, highly recommended for poetry lovers.

Library Journal

4. August 2017, quote
MADNESS is a wild, resolute book. An exposed, unbridled energy drives its emotional truths while virtuoso technique undergirds its formal and intellectual authority. Sections lead with poems entitled ‘Psychotherapy’ and feature idiosyncratic songs, dramas

Terrance Hayes

4. August 2017, quote
I message you from the restive belly of these poems. I entered willingly, was knocked to my knees and gradually realized there was no way out. Behind some of these doors was sex that pulsed rampant and slipsilver; behind others were at least a dozen darkn

Patricia Smith

4. August 2017, quote
These are poems so unapologetically fierce and filthy they are holy. It’s so rare to read words that know they are pushed to the brink, bringing their reader to an edge that didn’t exist before. I’m astonished at the peculiarity and specificity of this po

Brenda Shaughnessey

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